Vito Acconci Movies

In Conversions II, the second in a trilogy of films interrogating the rigidity of gender binarism, the artist attempts to feminize his unquestionably...

A documentation of a live performance at New York University, Pryings is a graphic exploration of the physical and psychological dynamics of...

Acconci imitates the sounds of war, gunfire and explosion; he thrusts his face, stomach or penis onto the screen. His childlike battle sounds are...

"In another exploration of nonverbal communication, the camera moves back and forth, each time catching one of Acconci's hands in an expressive...

In the late 1960s, Vito Acconci abandoned poetry in order to work with the body and its relationship with space, although he did retain a commitment...

Acconci's face is seen in close-up. His eyes trace, in real time, the movement of the hands of an off-screen clock.

"Super-8 camera held out before him as shield and surrogate, Acconci pushes through a landscape of dense reeds and overgrowth. Break-Through records...

A woman kisses Acconci's body, covering him in red lipstick traces. Acconci then rubs his body against another man (Dennis Oppenheim), transferring...

Vito Acconci chokes himself with a white cloth multiple times, his face turns red.

A super-8mm document (blown up to 16mm) of Acconci's performance of the same name in which he covered almost the entirety of the gallery space with a...

Using extreme close-ups and amplified sound to force the viewer into the space of his body, he experiments with his mouth as a container for saliva,...

A super-8mm short from Vito Acconci

"A view of a brick wall: the artist enters and walks from one side to the other, back and forth, row after row." - Electronic Arts Intermix

A three and a half minute Super-8mm piece on concentration/contemplation by Vito Acconci.

In this performance based tape, Acconci uses his body to explore notions of opening and closure.

"In this exercise in nonverbal communication, Acconci explores facial expressions, and their psychological resonance, as a mode of performance...

"In one of his earliest films, Acconci performs a series of actions — running in a circle, jumping, pushing another man — in which the...